What to do with all the photos…

Truth be known I’m not so good at all this social media and putting things out in the world stuff. I’ve just this minute published a post from a few months back that I’ve only just realised had gone unpublished. I have a very brilliant web-site creator – Richard Cross of  Controlx – who  patiently teaches me the same things over and over again, and keeps hearing me say the words I’m going to be working on the web-site soon!

Anyhow I guess I’m working on it now, in this moment. What has struck me is the inconsistency in all the posts under works – the amount and type of information available, the quality of the images and all the work that is missing. I see this as a reflection of what resources were available at the time e.g. I have no digital photos prior to 2003 (although my iphoto library does register something as 1923!?) and hardly any photos at all prior to that. The images used are very poor quality screen grabs from film footage. My iphoto library also shows me that my first good(ish) phone camera arrived around 2009 when the volume of photos in my library becomes abundant.

Also affecting the amount and quality of information and imagery in each works post is the resources which surrounded each of the choreographies and projects. Often work with non-traditionally trained dancers is not particularly valued or well resourced so there is literally no budget for a photographer or photos. When I started working in Germany a lot around 2005 developing Community Dance with Royston MaldoomTamara McLorg, Mags Byrne and Suz Broughton our work was really valued and starting then I have an abundance of very gorgeous photographs of the work and the people in it – those glorious dancing people.

The question is – what to do with them all? I feel I owe it to the dancers and the work that they made to have their photographs live in the world somehow


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